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Electronic Production

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It’s 2025, and I’m Still Freezing Tracks in Logic Pro

  • Writer: Leiam Sullivan
    Leiam Sullivan
  • Mar 19
  • 2 min read

Updated: Mar 30

Here I am, 26 years after first opening Logic Pro on my trusty G4 back in 1999, now running it on a blazing-fast M2 Max chip, yet still freezing tracks to finish projects.


Thinking back to around 2003, I clearly remember running massive projects—125 audio tracks with plugins like Pro-53 and Absynth—on my humble G4. Sure, freezing tracks was necessary then, but it felt reasonable given the hardware limitations. Fast-forward to today, my computer is easily 40 times faster in single-core performance and thousands of times faster in multicore processing, packed with 32 GB of RAM, and Logic Pro itself has evolved tremendously. You’d think freezing tracks would be a distant memory by now.


Yet, the reality is surprisingly familiar. Even now, with incredible processing power at my fingertips, I quickly hit that familiar wall—pushing the limits by using oversampling, ultra-detailed plugins, and layers upon layers of audio. Of course, if I ran things like I did back in the day—no oversampling, lighter plugins—my current setup would breeze through without breaking a sweat. But given the option to crank everything up to achieve that ultra-polished, big-studio sound, why wouldn’t I take it?


It reminds me vividly of when I upgraded to a G5 loaded with 64 GB of RAM and 12 processors. The feeling was exhilarating: unlimited channels, endless plugins, no more compromises—right? Within a week, I was back to maxing it out.


I guess it’s human nature—give us more power, and we’ll immediately find ways to use every last drop. And maybe that’s a good thing; it’s proof we’re constantly pushing forward, striving for the highest possible quality in our art.


Don’t get me wrong: I’m thrilled with the tools we have now. Being able to achieve that “big studio sound” from literally anywhere is incredible, something I only dreamed of two decades ago. But part of me can’t help but wonder:


Will the next generation of computers finally give us that promised creative freedom, or will I have to wait for the Quantum chips before freezing tracks becomes a relic of the past?


Until then, I guess I’ll just keep pushing the boundaries—one frozen track at a time.


Using Logic Pro in 2025

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